Deep Time is a nonconforming, collective research project. Invoking the notion of cosmic time amassed through geological formation, the project seeks to prompt new dialogues around how we contextualise time and its relationship to creative productivity.

Taking place in the context of 41st EVA International, Deep Time was initiated by artist and writer Bridget O’Gorman who gathered a research group of five practitioners, including D Mortimer, Deirdre O’Mahony, Libita Sibungu, Onyeka Igwe and Taey Iohe. Responding to ongoing interest in sustaining an art practice in a disabled body, slowness, alongside an overt acknowledgment of support and interdependency–in human, non-human and often unseen contexts–forms an integral foundation of Deep Time.

The research group met across four online meetings throughout 2025, where they were invited to make provocations pertaining to access in the arts. In March 2025 they gathered in person for a slow retreat in Common Knowledge, Co. Clare, where the group shared readings, screenings and exercises in an attempt to unearth broader insights around the often overlooked elements which sustain us through creative processes. Through intuitive knowledge exchange and feeling their way through the concept of ‘Crip Time’, the group prioritised access, support and comfort.

In response, each participant was invited to make an offering which reflects their engagement with Deep Time. This has manifested through micro-commissions across numerous mediums featured on the Deep Time website, alongside a podcast series and new writing by Bridget O’Gorman.

The Deep Time website was launched alongside a collective reading event as part of the 41st EVA International. It will continue to exist beyond EVA International through printed material and public programmes hosted by institutions throughout Ireland into 2026. As Deep Time wells and recedes its way towards public encounter, the activities are continuously negotiated, evolutionary, and scalable prioritising an ethos of access intimacy at its heart.

Deep Time (2025) was commissioned by EVA International as part of the 41st EVA International Platform Commissions, selected by Iarlaith Ní Fheorais and Roy Claire Potter. Deep Time is supported by the Arts Council / An Chomhairle Ealaíon and the creative supports initiative field:arts.

A landscape image with a goldy brown filter across the photograph. A group of eight people sit in a semi-circle on slate seats sunk into a slate wall. The top of the wall is grass covered and the ground at their feet is covered in flinted slate a slightly lighter shade than that of the wall. The group members are all smiling towards the camera, some leaning into each other and all are wearing woollen jumpers, coats and scarves and the sky is a clouded bank in the background. Behind them are low buildings with white walls, most with flat roofs except one slanted to the left side. The tops of conifer trees are in the distance. The group in order from left to right is made up of Deirdre O'Mahony, Bridget O'Gorman, D. Mortimer, Taey Iohe, Hannah Wallis, Libita Sibungu, Iarlaith Ní Fheorais and Onyeka Igwe during the Deep Time slow retreat at Common Knowledge, Co. Clare.
Deirdre O'Mahoney, Bridget O'Gorman, D Mortimer, Taey Iohe, Hannah Wallis, Libita Sibungu, Iarlaith Ní Fheorais and Onyeka Igwe during the Deep Time slow retreat at Common Knowledge, Co. Clare.

Lead Artist
Bridget O’Gorman

Research Group
D Mortimer, Deirdre O’Mahony, Libita Sibungu, Onyeka Igwe and Taey Iohe

Producers
Iarlaith Ní Fheorais and Hannah Wallis

Website and Publication Designers
Take Courage

Podcast Producer
Paul Macgregor

Micro-Commissions and Publication Editor
Jess Chandler

Sound Recordist
Bob Brennan

Still and Video Photographer
Saskia Vermeulen

Bookkeeper
Fiona Keller (field:arts)

Animator
Maya Remenyi